Sunday, March 25, 2012

Political Pundit Donna Brazile - Civility in the National Political Discourse


     As we prepare for the impending 2012 presidential election, political pundit, Donna Brazile encourages political discourse and examination of the issues, but advises that it is possible to do so without denigrating and attacking each other. In her recent address at the Weinberg Center Y of Central Maryland, Brazile paid tribute to the legacy of Dr. Martin Luther King, saying that if he were alive, he would rebuke those in the political arena contributing to and perpetuating negative dialogue.




     Brazile says although it is difficult to remain civil in this political environment, it is possible by adhering to several simple principles: faith, love, humility, and trust.

     "Dr. King taught us that faith is taking the first step, even when we can't see the stairs," Brazile said. "Love is the key to many or our problems. I will not let anyone occupy my heart with hate. When I get angry, I try to figure out how to make someone else's day better."

     Brazile says attend political debates, but remain humble enough to listen to opponents objectively. Respect those with whom we do not share views, and to quote an old adage, "disagree without being disagreeable." Figure out how to turn negativity into positivity. Rather than dwell on loses and failure, focus on opportunities. Distrust, one of the impediments to civility, must be conquered, and that will happen through dialogue. Name calling has to stop, but responding to it is also unacceptable for Brazile was taught, "it is not what someone calls you, but what you answer to."

     The political activist is passionate about the future of the youth, and is an advocate for the underserved and underprivileged. She encourages young people to work within the system to improve it, to vote, and run for public office. Brazile is particularly disturbed by denigration of those living in poverty, and says that dignity of those in economic distress must be defended and needs must be addressed.

     In the upcoming election, Brazile is confident that President Barak Obama will be re-elected. She looks at it from a mathematical perspective. If everyone who voted in 2008 votes for him again, he will receive enough votes. In framing the political discourse, she says it is important to discuss why we want President Obama re-elected, rather than why we don't want the republican candidate. She has faith that he can help put America back on track despite the gridlock that currently exists.



      Photos by Titilayo Akanke

     Donna Brazile is a political analyst who regularly appears on ABC's This Week, as well as an on-air contributor to CNN and NPR. She is a syndicated columnist, an adjunct professor at Georgetown University, and the author of the best-selling memoir, Cooking with Grease: Stirring the Pots in American Politics. She has been involved in the political arena for 42 years, since she was a child, and has participated in seven presidential campaigns. She is the founder and director of Brazile and Associates, LLC, a grassroots advocacy, consulting, and training firm based in Washington DC. She has received several honors for her work including being named one of Oprah Magazine's 20 Remarkable Visionaries, 100 Most Powerful Women (Washingtonian), and Top 50 Women in America (Essence). She also received the highest award for political achievement from the Congressional Black Caucus.

    

Wednesday, March 7, 2012

August Wilson's Jitney

Jitney, by August Wilson, was recently produced by Theatre Morgan and showcased at Morgan State University's Carl Murphy Fine Arts Theatre.
      Set during the 1970s in Pittsburg, Pennsylvania, Jitney is the story of several struggling African-American struggling to earn livings as jitneys while coping with the issues impacting their lives. The protagonist, known simply as Becker (Roscoe Orman), owns the jitney service which has been been located in the same place for 18 years. He learns that the city is planning to condemn and demolish all the property on his block. Becker conceals that information for two weeks from the drivers,Turnbo (Grant Chism), Fielding (Grant E. Harvey), Youngblood (Brian Jamal Marshall), and Doub (Keith Snipes) until one of them inadvertently learns about it and tells the other men.
                                                                                                                    


    


     While the men are trying to decide what they will do when the place closes, Becker's son, Clarence (Jerome Banks-Bey), is released from the penitentiary after serving 20 years for a murder conviction, during which the two had no contact. Becker blames Clarence for the mother's death saying that Clarence's original sentence to the electric chair was more than his mother could bare. Clarence holds no grudge against his father and wants to reconcile, but Becker stubbornly refuses, calling his son "Mr. Murderer," and telling him he is "unfit to live in society."



          Further complicating the situation are the dynamics of the other men's personal lives. Fielding is near alcoholic who tries to hide his drinking. Turnbo is liar and gossip, always in every body's business and continuously starting confusion. Youngblood is Vietnam veteran working two jobs to provide for his son and the child's mother, Rena (Erin Stevenson). He wants to surprise her with the deed to a new home. However, Rena thinks Youngblood is spending so much time away from home because he is seeing another woman, and Turnbo feeds her insecurity.



     Shealy (Massimo Delogu) and Phillip (Gordon G. Torney), friends of the drivers, frequent the headquarters. Shealy, despite repeated reprimands from Becker, uses the establishment as the office for his number running business. Philmore frequently needs jitney services as he slyly circumvents the issues with the women in his life. Doub, Becker's partner for twelve years and long time friend, is the voice of reason and the peacemaker in the group. Before the men can enact their plan to challenge the take-over of the property, Becker is suddenly killed in an accident. Much to Clarence's chagrin, he and his father never reconcile.

    

      Overall, the production was superb. The actors delivered dialogue and performances that were rich with the subtleties and dynamics that evoke emotion from an audience. Shealy added humor as he repeatedly talked about the woman who still loved him even though they had not seen each other in 22 years. Becker's refusal to reconcile with his son was painful and difficult to accept. Brief appearances and the a cappella harmonies of the young Doo-Wop Boys (Tamauri Forest, Royal Simms and Jordan Lunsford), added charm and the youth dimension to the production. With more training, experience, and the maturation of their voices, they have a fine future in show business.






     Costuming was believable and the set design was good, but there were some minor problems with blocking. There were a number of times during the production when backs were turned to the audience as actors turned to listen to or acknowledge someone else on stage. Perhaps that is an old school rule of theatre that no longer applies; it was nonetheless, quite distracting. There were also instances when actors were obscured behind someone else as they delivered lines. In its entirety, the production upheld Theatre Morgan's tradition of delivering outstanding presentation, and honored the work of the distinguished the playwright.




     August Wilson is renowned for his ability to capture the essence and sanctity of African-American culture. His work reveals the plight of average, hard working men and women struggling against poverty and racism, and embracing the sorrows, bitterness, joys and triumphs of life. His body of work includes: Radio Gulf (2005); King Hedly II (2001); Gem of the Ocean (2004); Jitney (2000); Seven Guitars (1996); Two Trains Running (1992); The Piano Lesson (1990); Joe Turner's Come and Gone (1998); Fences (1987); and Ma Rainey's Black Bottom (1984). Wilson received seven New York Critics' Circle Awards, a Tony for Fences, and two Pulitzer Prizes for Fences and The Piano Lesson. Wilson joined the ancestors October 2, 2005 after succumbing to liver cancer.